Live From Studio B: Teddy Coppes

From Oct. 30 to Nov. 7, Tyler Hawes’ thesis exhibition, “Renaissance Black,” took over Bates Gallery in Loveland Hall. The title of the show speaks to its Renaissance influences, specifically from artists like Hieronymus Bosch, Pieter Bruegel the Elder, and Titian.

Nothing But Thieves came up with a great soundtrack to our quarantines, even if it wasn't on purpose. Overall, this album delivers two things for sure: funky bops to rock out to while driving, and songs you can curl up with under the covers, while dwelling on the lyrics.

The partially self-titled album, “Magic Oneohtrix Point Never,” consists of incredibly unique synth tones and often unintelligible vocals that combine to create a cinematic soundscape that is unlike anything you’ve heard before.

 “Love Is The King” is an expertly executed homemade album that is perfectly easy to listen to. If you are not already quarantining with (and thus, growing weary of) your family, this album will make you want to give them a call.

All currently enrolled undergraduate students can participate and submit work. Accepted pieces will be published in the journal, which will be printed in Spring 2021. This year's submission period closes on Saturday, Oct. 31 at 11:59 p.m.

It’s not Nolan’s best film by a longshot from a narrative perspective. But from a technical angle, “Tenet” is brilliant.