The 1944 play “Harvey,” written by Mary Chase, is a surreal, captivating story that challenges the line between fantasy and reality.
Richard Kolbosky, with assistant director Mason Kuhr, took on the demanding task of bringing the Pulitzer Prize-winning play to life over the course of three short weeks. Amazingly, this fact is scarcely evident in the cast’s performance.
Set in the 1940s, the story follows the eccentric Elwood P. Dowd, played by Jessi Dawes, and his best friend Harvey, a 6-foot tall white rabbit.
Torie Witherow plays opposite Dawes as Elwood’s capable sister, Veta Louise Simmons. She and her daughter Myrtle Mae, played by Spencer Battershall, live with Elwood. Concerned that her dear brother has gone insane and fearing his delusions will have a negative effect on her daughter’s livelihood, Veta resolves to have Elwood committed.
However, in the process of trying to obtain treatment for Elwood, Dr. Sanderson, played by Mikhail Ferree, mistakes the emotionally-distressed Veta as the unstable sibling instead.
Dawes does a fantastic job playing the bold, charming and ever-pleasant Elwood P. Dowd, but even more impressive is her ability to share a stage with the large, bipedal rabbit. Her performance brings the mystery and wonder of “Harvey” to life so effectively that half of you expects to see the 6-foot creature enter stage right.
The cast smooths over any stuttering or mistakes — such as props falling off of tables — through ad libs and quick thinking. Witherow stands out especially, her emotional performance and stage-chemistry with Dawes acting as the backbone of the play.
Kolbosky and his cast have done a wonderful job bringing Mary Chase’s work to the stage, producing a compelling show full of humor and wit.
The play will have showings at 7:30 p.m. Nov. 1-3, with a Sunday matinée at 2:30 p.m. on Nov. 5. Tickets are priced at $10 for general admission, $5 for EU faculty, seniors and children, and $3 for EU students.
Julia Kramer can be reached at ae.spectator@gmail.com.
By Teddy Rankin
Claud’s debut album, “Super Monster,” is a charming depiction of modern romance. With relaxing low-key pop melodies and heartfelt lyrics, the 21-year-old artist accurately articulates the balance of euphoria and awkward letdowns that define young love. |
By Teddy Rankin
The Spectator staff comes together for a list of tracks they've been enjoying in February 2021. Listen to the playlist via Spotify. |
By Teddy Rankin
Weezer's latest album, “OK Human,” trades electric guitar power chords for orchestral string accompaniment, resulting in a satisfying cinematic experience. |
Valentine’s Day is here and the key to making it as amazing as possible is a killer soundtrack. Whether you’re in a relationship or flying solo, music can make or break any situation. |
By Hazel Modlin
Despite the pandemic hardships, the club was able to get together to paint a mural in support of breast cancer awareness month. |
By Teddy Rankin
An album for the traumatized masses, Langhorne Slim’s “Strawberry Mansion” aims to turn the page, if only for a moment, from the seemingly never-ending barrage of insanity and anxiety defining American life. |
Edinboro students were invited to join Interim President Dr. Dale-Elizabeth Pehrsson for a virtual “Tea Time” on Feb. 3, from noon to 1 p.m.
Between the ongoing pandemic, the continuing PASSHE system redesign, and retrenchment already hitting multiple universities (including Edinboro), change remains in the air. Here’s a rundown of Edinboro’s past six months and what’s to come.
Edinboro University’s Department of English and Philosophy celebrated this year’s Chuck Palahniuk Writing Scholarship recipients with a virtual reading on Feb. 11.