Hazel Modlin

“As long as I’m in the art world and I’m making art, I’m going to be happy.”

From Oct. 30 to Nov. 7, Tyler Hawes’ thesis exhibition, “Renaissance Black,” took over Bates Gallery in Loveland Hall. The title of the show speaks to its Renaissance influences, specifically from artists like Hieronymus Bosch, Pieter Bruegel the Elder, and Titian.

The team behind Bruce Gallery, including leader Dr. Lisa Austin, has been hard at work enhancing the physical gallery’s online presence.

“It’s really competitive to get into Edinboro, so these people come from all over the country. We’ve got people from Florida, New York, Nebraska, and I’m from Connecticut … we just want to make sure that people know we’re working hard.”

“I feel like I had the opportunity, with the help of my colleagues, to aid in everyone’s professional development, including my own.”

An average Edinboro student’s bill is likely looking a little different this year. One line item has students asking questions: the activity fee.

In order to better understand what on-campus classes look and feel like this fall, The Spectator spoke with both art department faculty and students.

Mila Wells is heading up the production, which features student-written scripts and productions both in-person and on Zoom. 

The 19th Amendment was a milestone, but it's important to realize that this victory was not shared by Chinese, Native American, and Black women, among others.